The time has flown by since I wrote my last blog and we are now into harvest time already. Lots has happened too, so my painting time hasn’t been as regular as I would have liked, but it’s been very good to be in the studio this week as I work on this piece.
The most upsetting thing to have happened since my last blog post is that Boo, my assistance dog, was found to have another cancerous lump, this time on his chest, but after surgery to remove it plus a wide margin he has now thankfully been given the all-clear and is completely back to his mischievous self again.
Unfortunately Boo’s post-op recovery meant he couldn’t come on holiday with us. I missed him terribly but knew he was in the best and kindest care as our youngest son looked after him whilst we were away. I had planned to get a quick oil study done most days while we were in South Wales, but the week was very windy and blowing my painting stuff about . . . I did get one tiny oil sketch done as the clouds broke up to let the setting sun through a little, but other than that I just used my sketchbook and pen. Having a break on the beautiful South Wales coast after Artweeks was lovely , and both dear hubby and I felt so much more relaxed after it.
I’ve had a couple of paintings in exhibitions lately too. The first one, a little oil painting of our peony plant in the garden, was painted as I sat in the garden in between my studio visitors during Artweeks, and was exhibited and then sold at a charity auction at Little Buckland Gallery near Broadway. The peonies started off in my Mum and Dad’s cottage garden when I was little, went with them through two house moves and then ended up in our garden. The peony plant is decades old and positively thrives on neglect.
The second painting is one I did called ‘The Art Stall, Genoa’, which I entered into The Artist magazine/Patchings Festival Open Art Competition. It received a ‘Highly Commended’ and is in their online exhibition through July/early August. It is also eligible for the People’s Choice award which is lovely, but I am highly unlikely to win that as there are some incredibly gifted artists also exhibiting. I am very relieved to have had my work judged at that level and to get that ‘Highly Commended’, it helps me gauge my progress and assess where I am on my painting journey. It takes a lot of courage to enter these juried art competitions, and I’ve had to grow a thick skin so that at those times when work isn’t selected the feelings of rejection and dejection aren’t too painful.- they say that rejection is good for one’s growth as an artist and I’m sure that’s true; I still feel very vulnerable when I enter these things though (although The Art Stall did well, two other paintings I also entered weren’t selected).
The painting I am working on presently is of the lighthouse on the end of Porthcawl pier. I took a photo and did a quick sketch of it one wild and windy July day a couple of years ago when we were down there for a friend’s special birthday. I love being on that pier in wild weather, but it would be reckless to try to paint there from my wheelchair flanked on both sides by raging seas, so a studio painting it has to be for this one. It is still a work in progress but I’m enjoying it very much, remembering the feeling of the salt spray on my face as I sat there watching the stormy sea.
If you watch the BBC weather forecast, you will often see a picture the BBC use when gales are forecast, of enormous waves towering over Porthcawl Lighthouse. It is a very dramatic image, and incredible to see in real life.
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